作者 王怡婷 Author WANG Yi-Ting
年份 2023 Year 2023
媒材 UV印刷於鋁板 Medium UV-printed aluminum
尺寸 30 x 22 x 28 cm Size 30 x 22 x 28 cm
作品《海線系列》以臺灣海岸線為核心敘事,並以線性的時間軸作為延伸脈絡。本次展出的作品取樣自臺灣北海岸的海岸景觀,透過立體拼貼與解構的手法,重新觀看地理環境、自然現象與人類行為之間那微妙而難以界定的邊界。作品將可見與不可見的海岸線重新縫合,藉由想像力構築出一個介於現實與夢境、有限與無限、自然與人工之間的新型態景觀。
The Coastline series features Taiwan’s coastline, extending its narrative along a linear sense of time. The works presented in this exhibition draw from the coastal landscapes of northern Taiwan, employing spatial collage and deconstructive techniques to re-examine the subtle and elusive boundaries between geographic environments, natural phenomena, and human actions. By re-stitching visible and invisible coastlines, the series constructs an imaginative landscape that resides between reality and dream, finitude and infinity, the natural and the artificial.
作者 王怡婷 Author WANG Yi-Ting
年份 2024 Year 2024
媒材 UV印刷於鋁板 Medium UV-printed aluminum
尺寸 25 x 40 x 5 cm Size 25 x 40 x 5 cm
作品《海線系列》以臺灣海岸線為核心敘事,並以線性的時間軸作為延伸脈絡。本次展出的作品取樣自臺灣北海岸的海岸景觀,透過立體拼貼與解構的手法,重新觀看地理環境、自然現象與人類行為之間那微妙而難以界定的邊界。作品將可見與不可見的海岸線重新縫合,藉由想像力構築出一個介於現實與夢境、有限與無限、自然與人工之間的新型態景觀。
The Coastline series features Taiwan’s coastline, extending its narrative along a linear sense of time. The works presented in this exhibition draw from the coastal landscapes of northern Taiwan, employing spatial collage and deconstructive techniques to re-examine the subtle and elusive boundaries between geographic environments, natural phenomena, and human actions. By re-stitching visible and invisible coastlines, the series constructs an imaginative landscape that resides between reality and dream, finitude and infinity, the natural and the artificial.
作者 王怡婷 Author WANG Yi-Ting
年份 2024 Year 2024
媒材 UV印刷於鋁板 Medium UV-printed aluminum
尺寸 29 x 26 x 6cm Size 29 x 26 x 6cm
作品《海線系列》以臺灣海岸線為核心敘事,並以線性的時間軸作為延伸脈絡。本次展出的作品取樣自臺灣北海岸的海岸景觀,透過立體拼貼與解構的手法,重新觀看地理環境、自然現象與人類行為之間那微妙而難以界定的邊界。作品將可見與不可見的海岸線重新縫合,藉由想像力構築出一個介於現實與夢境、有限與無限、自然與人工之間的新型態景觀。
The Coastline series features Taiwan’s coastline, extending its narrative along a linear sense of time. The works presented in this exhibition draw from the coastal landscapes of northern Taiwan, employing spatial collage and deconstructive techniques to re-examine the subtle and elusive boundaries between geographic environments, natural phenomena, and human actions. By re-stitching visible and invisible coastlines, the series constructs an imaginative landscape that resides between reality and dream, finitude and infinity, the natural and the artificial.